Tangles of fiction and reality.

Twenty-five years after 1994

Abstract

In this text we make a comment and offer elements of analysis of the fictional series Colosio, the history of a crime and documentary film 1994 both of Netflix. We study the relationship between fiction and reality and comparatively mention some production’s regimes from these materials, for example, about the construction of the political class. The thesis, nothing new, consists in recognizing, in this case, the possibility of fiction to offer points of view different from the hegemonic discourses, unlike or what the documentary does; and what seems to semiotically invest the documentary's status, now linked to the dominant perspective of the "solitary assassin", while fiction presents alternative possibilities and confronts it in a directly way what the documentary used to be in the past.